defenestration: To throw out of a Window

Hi Irene, I was wondering if that will be suitable for you only. I meant by the amount of description which you have given if that should be okay. If so I can go ahead by talking about it on the following day 17/10.

Thank you,
David

The Installation Arts... The Speech 17/10/2011

Hi guys, I have analysis everyone projects. So I will start by a simple induction of names etc and start off. 

David's (Idea) 

Tacita Dean: FILM; Tate Modern

The Unilever Series, Turbine Hall, Tate Modern, London 11 October 2011 – 11 March 2012 Tacita Dean will undertake the twelfth commission in The Unilever Series for the Turbine Hall at Tate Modern. Tacita Dean is one of the most respected artists working today. Her practice encompasses artist’s books, drawing, theatre, opera, dance, comedy, classical music, pop, TV drama, literature and film.

Distractions: On film, the familiar glass and steel structure plays host to images culled from the outside world such as fountains, waterfalls, lakes, the sea, tree, a smoking industrial chimney, an escalator, flowers, mushrooms, pigeons, a snail and a grasshopper.

http://www.bbc.co.uk/i/b015n01b/ 

The installation Arts

Hi guys, is this everyone (CHOICE) and if there is any changes please let me know by tomorrow between 10:00 am and 12:00pm please. Because I need to analysis everything to put it into simplify briefs. Hopefully by the evening tomorrow I will update everyone on how I have construct it.

Thanks David

My choice(Oksana)

Chelsea Art Museum Facade Lighting
M S W(Mader Stublic Wiermann) from Berlin/Germany designed a new skin facade for the Chelsea Art Museum in New York/USA.
1.It features a skin layer made of LED rods that is offset away from the original facade of the museum.
A layer of vertical LED-rods are installed on the façade of the Chelsea Art Museum, with a gap in between the building and the new structure.
2.The installation will feature abstract images moving across the building, at times even appearing to extend the structure of the Museum beyond its actual size. The gap left between the original building and the new façade structure respects the integrity of the building, while manipulating its appearance depending on the installation’s programming and the viewers position.
3!!!
Most importantly, the new facade does not replace the existing one, rather, it plays with its surface and volume. Consequently, art, normally contained within a museum, will step beyond the confines of the building to interact with the city and its inhabitants. The new architectonic volume of the building will strengthen Chelsea Art Museum’s presence in the Manhattan cityscape.

 

My Choice (Ashlee)

Current Disturbance By Mona Hatoum 

Current disturbance was made by Mona Hatoum, in 1996 as a body of work based around perceptually and psychologically de-stabilizing the space. The other pieces of work included where Light Sentence 1992, Short space 1992, The Light At The End 1989, and Socle du monde 1991. 

I saw the piece in march 2011 at White Chapel Gallery,  as part of the showing of the D. Daskalopoulos Collection, in an exhibition Called Keeping It Real. All the pieces within the exibition where taken from the collection owned by Dimitris Daskalopoulos. The Collection has over 400 pieces of international artwork.  

The installation was made up simply from wood, wire mesh, light bulbs and electrical wire, the simplicity of the sturture was created to create a more dramatic effect. Hatoum used 228 cages to create a four walled structure, each cage containing a single light bulb which is individually wired to the junction box which is in the centre of the installation. The sound of the current flowing through each individual wire from the junction box to the light bulb has been amplified so that the 60 cycle hum is intensified, this alongside the illuminating lights creates an intense experience, where you cannot help but be drawn in.

The installation was originally seen first in San Francisco where it was associated with prison but Hatoum said in an interview about the pieces debut at Whitechapel“People will read something more into it about cities, perhaps." . The piece is based around urban architecture and surveillance; she described the underlineing message as “It's part of a body of work looking at council flats and architecture as prison – basically, architecture as control.” When she moved from lebanon to london she felt as if she was trapped and constantly being watched, desribing london as "Big Brother-Land". 

A video of the piece 

http://vimeo.com/19993263 

My installation choice (Irene)

DEFENESTRATION -San Francisco, since 1997-present
Brian Goggin

Defenestration: To throw out of a window

Abandoned four-story building in a neighborhood that historically has faced economic challenges and endured the stigma of skid row status.

Everyday objects flood out of the window like escapees out onto available ledges.

Simple, unpretentious beauty and humanity of the falling objects: similarity with the Cuming Museum objects coming out of the archives.

Throwing out becomes an uplifting gesture of release: an inviting reflection on the spirit of the people that live in the community, the objects they encounter and the places they live in.

tacita Dean: http://www.frithstreetgallery.com/search/results/236d99caa3033ea8f33c3438f190293e/

By: david

Exhibition ; Tacita Dean in Turbine Hall; robot film Real Steel. By David

Exhibition ; Tacita Dean in Turbine Hall; robot film Real Steel

The Unilever Series, Turbine Hall, Tate Modern, London 11 October 2011 – 11 March 2012 Tacita Dean will undertake the twelfth commission in The Unilever Series for the Turbine Hall at Tate Modern. Tacita Dean is one of the most respected artists working today. Her practice encompasses artist’s books, drawing, theatre, opera, dance, comedy, classical music, pop, TV drama, literature and film.
http://www.bbc.co.uk/i/b015n01b/ 

 

Tate Modern’s lofty Turbine Hall is dominated by a giant CinemaScope screen flipped on its side so it becomes 42ft high and resembles a lift shaft or cathedral window. Instead of angels, saints or sinners, though, the starring role in Tacita Dean’s FILM is given to the building’s east window – the one hidden behind the huge screen. One of the main subjects of the film, then, is the very spot where you are standing – where much of the film was shot.

familiar glass and steel structure plays host to images culled from the outside world such as fountains, waterfalls, lakes, the sea, trees, a smoking industrial chimney, an escalator, flowers, mushrooms, pigeons, a snail and a grasshopper; add to this abstract patterns and surreal incursions such as an eye, balloons and a light bulb, and you get an apparently random sequence of mesmerising visual effects lasting just 11 minutes.

   "FILM (pictured right) is basically a collage," Dean explains and she means it literally. The images took shape as collages made by cutting up postcards from her vast collection; she surrounded the Matterhorn with sea, for instance and, on screen, the idea is transformed into a peak rising above swirling mist.

Making a collage with scissors and glue is one thing, but producing similar effects on celluloid without resorting to post-production wizardry is a huge challenge. To introduce the variously shaped inserts she wanted, Dean had to design circular, elliptical, square and triangular masks that fitted between the film and lens to conceal some parts of the frame and expose the rest. And to construct each frame one element at a time meant putting the film through the camera up to 10 times.

glass matte painting; to mimic lightning, she painted a jagged line across glass and shone a light through it. Hand-tinting turned black-and-white footage blue, orange, cerise or pink and allowed an eight-second shot of mushrooms to appear in six different colours. Finally, down the side of each frame she added sprocket marks so that on screen the image looks like a strip of film held up to the light. Not surprisingly she describes FILM as a portrait of film that pays homage to the medium.

Art crush of the day: Kleber Matheus Neo Ornamental

Umbrella installation

http://hydeordie.com/search/neon/page/3

David: I found this and thought of uploading it.

Another one

3013 Installation at the Architectural Association

http://www.dezeen.com/2011/09/01/3013-installation-at-the-architectural-association/#more-151514

Teddy Cruz Cone Room 2008

I know this isn’t so much along the line of neon as it is just along the line of awesome but I couldn’t resist.  I wonder if cruz would let me climb on it.  I bet he would if I asked really nicely.

RESEARCH and IDEAS on Installations ( by Oksana)

Hi, guys. I just want to upload some  links with interesting installations i found, that maybe could be useful?

1. Moving theatre

Gavin Bell wanders through a surreal installation about Russian life, where art and theatre meet and sculptures come to life

                       

http://www.guardian.co.uk/travel/2009/apr/05/sharmanka-installation-eduard-bersudsky-glasgow

2. I think this is really beautiful and interesting idea.

ROSO’s Art Installation at Clark Shoes International Headquarters

Clark, ROSO’s art installation at Clark Shoes Headquarters in Somerset this piece is situated in the communal court yard in the heart of Clarks office building.

http://cubeme.com/blog/2008/10/16/roso%E2%80%99s-art-installation-at-clark-shoes-international-headquarters/


3. New Art Installation Logo In Front Of The Channel 4 Building

Art installation 'Shelter', a giant number 4 made from discarded umbrellas by artist Stephanie Imbeau, winner Channel 4's BIG4 public art competition, stands illuminated in front of the Channel 4 building on March 4, 2009 in London, England. The piece, a representation of channel 4's logo, is constructed from unconnected blocks so that it only appears as the number 4 from a certain viewpoint. 

http://www.zimbio.com/pictures/5RZmn88_wI_/New+Art+Installation+Logo+Front+Channel+4/EsE1Y7i3ezM

4. This website has interesting things:

The Art of Architecture: 10 Incredible Installations

http://weburbanist.com/2009/04/13/the-art-of-architecture-10-incredible-installations/?ref=search

5. This site has some useful info on Sound installations:

http://www.channel4.com/culture/microsites/B/bigart/about_artists.html

6. And also, search for Shadow Art in Google, it is so amazing and can have so many meanings behind it!!

Extra choice

Here is an interesting photo we could also use
Aerial photograph of Southwark
c.1990

Artist: Unknown

Object/Work: 2100 x 1200 mm

Photography

Subject: Maps

It is nearly 20 years since this photograph was taken and much has changed. The road layouts remain the same but a lot of re-development has taken place along the Old Kent Road, Peckham and Bermondsey. Properties have been demolished and new houses and commercial premises have been built.

Oksana's choice

The canal was cut between the years 1807 and 1809. It was originally intended to extend the cut to Vauxhall and over Surrey and land was leased beyond the present terminus at Camberwell Road as far as Kennington Common. The picture shows St. George's Church in the background. Terminating at Camberwell Road with a spur to Canal Head on Peckham High Street, the canal connected to the Royal Surrey Docks. It was drained and filled in, in 1960. Only St. George's Church now remains from this view. The buildings alongside the canal, many of which were derelict following bombing in the Second World War, were demolished and the whole area is now Burgess Park. A footpath and cycle way follow the route of the canal.

I think its interesting, because we can visit the place and view it in todays perspective- no canal, but the church captured from roughly the same spot. Also guys, i think we should go with both of Irene's choices as a pair. It would make more sense.
Now we need just one more object image, if you all are happy with choices so far.
Any suggestions? Ashlee? David?
I NEED TO SEND OUR CHOICES BY TONIGHT, SO PLEASE RESPOND ASAP!!!


Oksana.

My choice (Irene)

Hi guys,

Here is my object choice. It is by William Hogarth and it is called Gin Lane and Beer Street. They are two different works, however is the same 'kind of coin' showing the theme of alcohol, one with its positive and the other with its negatives sides. Beer and Gin.
I would like to know your opinions about it. As they are two objects, although completely related, should I just choose one of them or the juxtaposition of both of them?
I think both makes it more interesting! 
Have a look at them and let me know,

Thank you,

Irene

?????

Hey guys, check BB!
There is a sms from Nicky saying that we are not supposed to choose an object from the museum, but one from the archive of the museum. If that is the case, I wonder whether the object should be "archived" or on display...????
 

Well done Ashlee!!! Way to go!

-Oksana

First Post!!!

Hi Guys, I Have Created Our Blog And Forwarded You An Email With All The Details So That You Can Access It And We Can Start Sharing Information.

Happy Blogging Ashlee  :)